RECONSTRUCTION OF GENRE FEATURES OF DRAMATIC WORKS OF THE UKRAINIAN DIASPORA OF THE FIRST HALF OF THE 20th

Abstract

The purpose of the article is to study the Ukrainian dramaturgy of the diaspora at the "conflict-genre" level, which gives grounds to talk about the reasons for the diversity of its genre forms. The object of the study is the dramatic works of the Ukrainian diaspora of the first half of the 20th century. The methodological basis of the research is cultural-historical and hermeneutic methods, as well as methods of philological and literary analysis. The scientific novelty of the article consists in a comprehensive and systematic study of the interrelationship of the system of genres and conflicts, the practice of their embodiment by diaspora playwrights, which allows to reproduce a real picture of the literary process outside of Ukraine, contributes to a deeper knowledge of both the content and the form of the works. Therefore, there is a need for a scientific analysis of the system of conflicts and genres of diaspora dramaturgy both in the structure of certain works and at the level of a general ideological and aesthetic phenomenon.

The issue of combining the achievements of foreign literary studies with national traditions and the use of appropriate research techniques remains important due to the multifaceted, complex and originality of the literary heritage that is created on the borders of nations and states. The practical significance of the research lies in the possibility of using the results by scientists in Ukraine and abroad.