PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word
https://pvntsh.nung.edu.ua/index.php/word
<p>У випусках серії “Слово” публікуються наукові матеріали за напрямком:</p> <p>- Філологія</p>Ivano-Frankivsk Departament of Shevchenko Scientific Societyen-USPRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word2304-7402VERBALIZATION OF THE AUSTRIAN MYTH IN THE STANISLAV VINCENZ’S TETRALOGY “IN THE UPPER HIGHLANDS”
https://pvntsh.nung.edu.ua/index.php/word/article/view/1932
<p><em>The purpose of the article is to find out the specifics of the verbalization of the Austrian myth in S. Vincenz</em><em>’</em><em>s tetralogy “In the Upper Highlands”. The author is convinced that the mytho-critical interpretation of the work of the outstanding Polish humanist writer will contribute to the modern analysis of the idea of the tetralogy “In the Upper Highlands” at the ideological level, its correlation with the plot, genre features, and character.</em> <em>To implement this research problem, the author used interpretative, comparative-typological methods, myth-critical and cultural-historical </em><em>approaches</em><em>.</em></p> <p><em>The results. The verbalization of the Austrian myth in S. Vincenz</em><em>’</em><em>s tetralogy “In the Upper Highlands” is explained by biographical, historical, ethnic and cultural factors that influenced the work of the writer, a native of late Habsburg Galicia, in particular the Pokuttia-Hutsul borderland. The interaction of these factors created the basis for an artistic description of an imaginary and artificial model of everyday ethnic groups of Hutsul region and Pokuttia within the borders of Austria-Hungary, its original virtualization. The Austrian myth in S. Vincenz</em><em>’</em><em>s epic novel is not equivalent to fiction, the author's fantasy, but its elements (the person of the emperor, the imperial army, ethnic groups) are evidence of the author</em><em>’</em><em>s subjective vision of the region after the collapse of the Habsburg monarchy in 1918, the post-war (after the WW</em><em>І</em><em>) actualization of idealization of multinational space and fictionalization of reality. The specificity of the Austrian myth of S. Vincenz</em><em>’</em><em>s texts is that the first volume of S. Vincenz</em><em>’</em><em>s tetralogy was published in 1936 in Warsaw, and the following volumes were published in London in 1970, 1974, and 1979, respectively (the last two – after the author</em><em>’</em><em>s death), which testifies to the “two-dimensionality” of the writer's mythological thinking – in the interwar period and in the post-war period (after forced emigration and WWII), where time and space overlapped to a certain extent on S. Vincenz</em><em>’</em><em>s work.</em></p> <p><em>The scientific novelty of the study – the mytho-critical reading of S. Vincenz</em><em>’</em><em>s tetralogy “In the Upper Highlands” made it possible to supplement the overall picture of the author</em><em>’</em><em>s worldview of a certain cultural and historical era – the interwar (1920-1930s) and post-war (after 1945) periods. The identification of the elements of the Austrian myth, its verbalization by S. Vincenz significantly complements the methodology of the analysis of artistic works, their literary criticism.</em></p> <p><em>The practical significance of the article is that its main provisions can be used for further studies on the problems of the Austrian myth in world and Ukrainian literature of the 20<sup>th</sup></em> <em>and early 21<sup>st</sup></em> <em>centuries, and generalized for further modeling of the myth-critical analysis of the texts of the representatives of the Austrian myth – natives of modern Ukraine.</em></p>Tetiana MonolatiiNataliia Tkachuk
Copyright (c) 2024 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word
2023-11-072023-11-0718(69)33634810.31471/2304-7402-2023-18(69)-336-348FOLKLORE AND MYTHOLOGICAL IMAGES OF THE HOMEWORK AND THE FORESTMAN IN THE ARTISTIC PLANE OF CHILDREN’S STORIES BY V. VYNNYCHENKA
https://pvntsh.nung.edu.ua/index.php/word/article/view/1933
<p><em>The article analyses Volodymyr Vynnychenko's children's stories from the point of view of reproducing elements of the national code of Ukrainians recorded in folklore texts. Attention is focused on the author's works "The Winds Are Blowing, the Winds Are Raging" and "Hey, who’s in the Woods, Call Out". It is established that the latter actively use folklore motifs, genres and images. They allow us to explain some of the folk traditions of our ancestors, to show the inseparability of the connection between the past and the present, and to recreate the flavour of the described era. It is determined that Ukrainian culture is characterised by beliefs in the existence of supernatural beings - witches, demons, devils, mermaids, sorcerers, werewolves - who can help or harm people. Vynnychenko borrows the images of a housekeeper and a forest man from folklore. The purpose of the study is to trace their transformation in these works and to find out their psycho-emotional impact on the characters. The historical and literary, comparative genetic, comparative typological and intertextual methods were used.</em></p> <p><em>Novelty. For the first time, the author analyses folklore and mythological characters in Vynnychenko's children's stories. It is proved that his forest man/Korchun underwent a significant literary transformation in the text. Parallels with typologically related images in world culture are drawn. The functions of folklore elements in the works are clarified: the composition of the stories is built around them, the characteristics of the main characters are revealed through the attitude to folklore images, and the author's ideological and aesthetic concepts are realised. And in stressful situations associated with their appearance, the consciousness of small personalities is formed.</em></p> <p><em>The practical significance of the study lies in the fact that its results can be used in further research on literary and folklore correlations in V. Vynnychenko's works.</em></p>Nataliya Kobzej
Copyright (c) 2024 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word
2023-11-072023-11-0718(69)34936210.31471/2304-7402-2023-18(69)-349-362THE PRE-WEDDING TRADITIONS OF NOVOSELYTSYA VILLAGE IN THE IVANO-FRANKIVSK REGION: A REGIONAL PERSPECTIVE
https://pvntsh.nung.edu.ua/index.php/word/article/view/1934
<p><em>The article analyzes the pre-wedding rituals of Novoselytsya village in the Kolomyia (formerly Snyatyn) district of the Ivano-Frankivsk region, as well as the preparations for the wedding and the accompanying songs. In particular, it examines the components of the pre-wedding cycle, such as "obzoryny" (preliminary arrangements), "svatannya" (matchmaking), "zlahoda" (reconciliation), and "holoshennya zapovidei" (announcement of commandments). It is noted in passing that in earlier times, marriages were sometimes arranged by the parents of the bride and groom, who aimed to unite their land holdings and property.</em></p> <p><em>The article also delves into the process of preparing for the wedding, which begins on Thursday. It describes the ritual of weaving a wreath, specifically highlighting the plants and objects used in its making. The step-by-step process of decorating the bride and groom's home is also presented. It is mentioned that local residents believe that the spruce tree protects against misfortune.</em></p> <p><em>Illustrated in the article is the fact that one of the stages of wedding preparation in Novoselytsya village occurs on Friday when the future bride is expected to invite the groom's parents to the wedding. Symbolic imagery in songs performed during the wedding preparations is also analyzed. Notably, symbols such as viburnum, berries, a garden, flowers, and a wedding bread (kalach) are singled out, and their connection to the wedding ritual is explained.</em></p> <p><em>The article establishes that family and ritual creativity are closely intertwined with the daily lives of Novoselytsya residents and accompany significant events, including weddings. In addition to its utilitarian function, wedding folklore often serves a magical and ritualistic purpose. The study and preservation of cultural heritage are crucial for understanding and analyzing the cultural and historical development of a specific locality.</em></p>Nataliya VivcharykMyroslava Hlushko
Copyright (c) 2024 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word
2023-11-072023-11-0718(69)36337010.31471/2304-7402-2023-18(69)-363-370THE METHOD OF SLOW READING AS THE MAIN METHOD OF EDUCATIONAL ANALYSIS OF VASILY STEFANYK'S NOVELS
https://pvntsh.nung.edu.ua/index.php/word/article/view/1935
<p><strong><em>The purpose</em></strong><em> of the article is to interpret Vasyl Stefanyk's work from the standpoint of new methodological and methodical approaches. Using the example of the writer's short story "Stone Cross", the method of slow reading is proposed as the main method of educational analysis of this work in the system of school and university education. Using the synthesis of scientific <strong>methodology</strong> (hermeneutic, philological, linguistic, etc.), the <strong>results of the research</strong> are proven, the main of which are: understanding the text, the ability to analyze it, and the ability to create a text. As the author of the article convinces, cognitive and educational processes for both pupils and students are laid down in this triad during the slow reading of the "Stone Cross". They allow a deeper understanding of Vasyl Stefanyk's unique work and at the same time learn about the ways of its ideological and aesthetic expression. In general, the method of slow reading of an artistic text, in the researcher's opinion, is the most optimal in identifying and perceiving the artistic features of works of literature, it contributes to their aesthetic mastery slowing down the pace of analysis of their content and form-creating fullness. Scientific novelty of the study: for the first time, Vasyl Stefanyk's work "Stone Cross" was analyzed from new methodological and methodical positions, a view of the analysis of the entire work of the classic writer was projected in this way. The practical significance of the article is that its results can be used by teachers in secondary and higher schools when analyzing the works of the Ukrainian novelist.</em></p>Hryhoriy Klochek
Copyright (c) 2024 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word
2023-11-072023-11-0718(69)37138010.31471/2304-7402-2023-18(69)-371-380MODERN APPROACHES TO STUDYING VSEVOLOD NESTAYKO'S NOVELS "THE MAGIC TALISMAN" AND "THE BULLFIGHTERS FROM VASYUKIVKA" IN 5-6 GRADES OF NUSH
https://pvntsh.nung.edu.ua/index.php/word/article/view/1936
<p><strong><em>Purpose.</em></strong><em> The aim of this article is to determine the place of literary analysis in the educational process using various methodical sources. Based on the research objective, the following tasks were set: justify the theoretical principles of analyzing prose works, characterize the methodology of analyzing novels in 5-6 grades, and examine it from a synchronous perspective. <strong>Research methodology</strong>. The article applies the principles of unity of theory and practice, systematicity, and objectivity.</em></p> <p><strong><em>Results</em></strong><em> showed that innovative approaches developed for Vsevolod Nestayko's novels "The Magis Talisman" and "Toreadors from Vasyukivka" effectively help students in the 5-6 grades of the New Ukrainian School (NUSh) understand the artistic content and main ideas of the works.</em></p> <p><strong><em>Scientific novelty </em></strong><em>lies in revealing the possibilities for using interactive teaching methods, creative tasks, group work, and discussions that promote active student participation and the development of their literary abilities. It combines interactive and innovative methodical approaches, which activate students' cognitive activity, stimulate their interest in reading, foster critical thinking, and engage them in a deep understanding and analysis of literary works.</em></p> <p><strong><em>Practical importance </em></strong><em>lies in creating a special methodical strategy that will provide Ukrainian literature teachers with optimal approaches to studying Nestayko's works in 5-6 grades. The use of innovative methodical techniques will help diversify the process of studying the works and develop students' literary competence.</em></p>Ivanna Khomyn
Copyright (c) 2024 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word
2023-11-072023-11-0718(69)38138710.31471/2304-7402-2023-18(69)-381-387METHODOLOGICAL APPROACHES TO WORKING WITH A FAIRY TALE IN THE 5TH CLASS ON THE LESSONS OF UKRAINIAN LITERATURE
https://pvntsh.nung.edu.ua/index.php/word/article/view/1937
<p><strong><em>Purpose</em></strong><em>. </em><em>The purpose of the article is to identify the main methodical prerequisites for school students' understanding of the specifics of folklore; to characterize the possible methodical methods of studying fairy tales in literature lessons in the 5th grade, to highlight methods, techniques and methods of processing fairy tales in Ukrainian literature lessons.</em></p> <p><strong><em>Research methods</em></strong><em>. In the article, general scientific and special literary methods were used, in particular, such as the descriptive method, the method of analysis, content analysis, modeling.</em></p> <p><strong><em>Research results</em></strong><em>. The article highlights methods and techniques for working with folklore sources, in particular with folk and literary fairy tales, which meet the state standard of basic secondary education and the model program for conducting </em><em>effective and interesting lessons.</em></p> <p><strong><em>The novelty</em></strong><em> of the article lies in the systematized presentation of methods and techniques for processing fairy tales in Ukrainian literature classes.</em></p> <p><strong><em>Practical significance</em></strong><em> is that the results of the study can be used by teachers in preparation for literature lessons when studying the fairy tale genre.</em></p>Oksana Horhaniuk
Copyright (c) 2024 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word
2023-11-072023-11-0718(69)38839310.31471/2304-7402-2023-18(69)-388-393SELECTED CORRESPONDENCE OF VOLODYMYR POLIEK
https://pvntsh.nung.edu.ua/index.php/word/article/view/1923
<p><em>Volodymyr Teodorovych Pol</em><em>i</em><em>ek (September 27, 1924-July 19, 1999) is one of the last classical bibliographers who was born, lived and died in Stanislav</em><em>i</em><em>v (Ivano-Frankivsk). The biobibliography of Volodymyr Po</em><em>li</em><em>ek is extremely wide and has not yet been </em><em>studied</em><em>. His great work, which he </em><em>did</em><em> until the last days of his life - "Bio-bibliographic dictionary of</em><em> the</em><em> Pr</em><em>ecarpathian region</em><em>" - remained unfinished and exists only in a newspaper version.</em></p> <p><em>Volodymyr Pol</em><em>i</em><em>ek's epistolary is also extensive and almost unexplored. The </em><em>scientist</em><em> himself started publishing his correspondence in 1991, p</em><em>reparing</em><em> several letters of Ol</em><em>h</em><em>a Duchyminska. In 2004 and 2013, selected correspondence of Volodymyr Pol</em><em>i</em><em>ek was printed by the author of these lines. In 2008,</em><em> the</em><em> part of the correspondence with Stanislav Vincenz was published by Ol</em><em>h</em><em>a Tsivkach.</em></p> <p><em>The purpose of the article: to acquaint readers with selected </em><em>official </em><em>correspondence of Volodymyr Pol</em><em>i</em><em>ek </em><em>such as </em><em>letters-answers from various periodicals and several copies of official letters of the researcher himself, which are stored in the </em><em>room</em><em> of Volodymyr Pol</em><em>i</em><em>ek </em><em>in Vasyl Stefanyk</em><em> Precarpathian National University.</em></p> <p><strong><em>Research methods</em></strong><em>: </em><em>precise</em><em>-historical, comparative, descriptive.</em></p> <p><strong><em>Scientific novelty</em></strong><em>: letters from Pol</em><em>i</em><em>ek's archive</em> <em>published for the first time.</em></p> <p><em>The practical significance of the article is that its results can be used to study Pol</em><em>i</em><em>ek's biography and understand the era in which the researcher </em><em>used</em><em> to live and work.</em></p>Evgen Baran
Copyright (c) 2024 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word
2023-11-072023-11-0718(69)21323210.31471/2304-7402-2023-18(69)-213-232SIGNIFIED BY THE WORD WAY (Literary activity of Les Kurbas)
https://pvntsh.nung.edu.ua/index.php/word/article/view/1928
<p><strong>T</strong><strong>he purpose of the article</strong> is to examine literary activity of the director of Ukrainian stage art Les Kurbas as a collective and integral system of his views on drama as a genre of literature and a form of art, on the specifics of its stylistic dominants in the first decades of the 20th century through the prism of the reformist ideas. <strong>The object of the research</strong> is the prose attempts of the Ukrainian theater actor, his translated works and scientific works, his stagings based on the works of Ukrainian and foreign authors, and his theatrical journalism - the director's diary, lectures on directing and stage practice. <strong>The methodological basis of the research</strong> is the biographical method, the principles of cultural-historical and hermeneutic methods, as well as the principles of the comparative-typological approach in the analysis of the object and subject of the study. The scientific novelty of the article lies in the complex and systematic clarification of the problem "Les Kurbas and literature", as a result of which it is proved that the brilliant Ukrainian director began his work with verbal art (he debuted as a novelist), during his directorial activity as the artistic director of the "Molodyi Teatr", "Kyidramte" and "Berezol" staged lyrical and epic works of Ukrainian and foreign writers several times (he worked as a playwright), translated plays of Western European authors, scientific studies of art critics from Europe (acted as a translator), often studied as a director the emergence of certain modernist currents through the prism of literature and theater (positioned himself as a literary critic and researcher of drama). Such a multifaceted connection of Les Kurbas with literary and artistic creativity, with scientific and research activity gives reason to conclude that throughout his creative life he was closely connected with the word and was consistently realized in the word. The practical significance of the research lies in the fact that its results can be used by both theater scholars and theorists and historians of Ukrainian and foreign literature.</p>Stepan Khorob
Copyright (c) 2024 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word
2023-11-072023-11-0718(69)27228710.31471/2304-7402-2023-18(69)-272-287MUSIC AND THEATRE ART OF THE UKRAINIAN DIASPORA: PRESERVING THE TRADITIONS OF LES KURBAS AND INNOVATIONS
https://pvntsh.nung.edu.ua/index.php/word/article/view/1929
<p><strong><em>Purpose:</em></strong><em> The development of Ukrainian music-dramatic theatre art in the diaspora throughout the 20<sup>th</sup> century and up to the present day is considered.</em></p> <p><em>The preservation of the traditions of the </em><em>«</em><em>Young Theatre</em><em>»</em><em> and the </em><em>«</em><em>Berezil</em><em>»</em><em> Art Assocciation of the outstanding Ukrainian director, theatre theoretician, playwright Les Kurbas by his students and followers Yosyp Hirnyak, Olimpia Dobrovolska and Volodymyr Blavatsky in the conditions of DP camps in Europe, later, after the end of the Second World War, was followed, </em><em>–</em><em> in the USA and Canada. Attention is drawn to opera, operetta, music-dramatic genres, as well as melodeclamation. The artistic group </em><em>«</em><em>Yara</em><em>»</em><em> (</em><em>«</em><em>Yara Arts Group</em><em>»</em><em>) under the leadership of Virlana Tkach, which operates at the experimental theatre </em><em>«</em><em>LA MAMA</em><em>»</em><em> in New York, is considered as a transformation of Kurbas traditions in the modern cultural space of the diaspora.</em></p> <p><strong><em>Research methodology.</em></strong><em> The key research method is descriptive. At the same time, the method of comparison was used to clarify the peculiarities of the theatrical process in Ukraine and the diaspora. For the reconstruction of this picture, the memoirs of Volodymyr Blavatskyi by Yosyp Hirniak, scientific researches of diaspora theatre experts H.</em><em> </em><em>Luzhnytski, B</em><em>. </em><em>Boychuk, V.</em> <em>Revutski, Ukrainian art critic V.</em> <em>Haydabury, materials of memorial collections about the camps Mittenwald, Regensburg, “Our Theatre” and others were used.</em></p> <p><strong><em>The results. </em></strong><em>The multi-genre music and theatre art of the Ukrainian diaspora and the multi-vector presentation of Ukrainian musical culture in the performances of the experimental theatre </em><em>«</em><em>LA MAMA</em><em>»</em><em> and </em><em>«</em><em>YARA ARTS GROUP</em><em>»</em><em> from New York demonstrate the durability of traditions from the modern theatre of Les Kurbas “Berezil” on the one hand, and the search for new means expressiveness in the conditions of the XXI century, on the other hand, because avant-garde theatre artists are constantly trying to invent something new, why there are no analogues in any corner of the world.</em></p>Hanna Karas`
Copyright (c) 2024 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word
2023-11-072023-11-0718(69)28831010.31471/2304-7402-2023-18(69)-288-310MYKHAILO YATSKIV FOREVER
https://pvntsh.nung.edu.ua/index.php/word/article/view/1930
<p><strong><em>The purpose of the article</em></strong><em> is analytical judgments about the work of one of the bright representatives of Western Ukrainian modernism, Mykhailo Yatskiv (1873-1961). <strong>The object of research</strong> was the prose works of the writer, and the subject of study was the peculiarities of Halychyna novelist's artistic thinking. The author of the article, dedicating it to the 150th anniversary of the birth of the famous artist of words, reveals through the prism of biographical information the works (stories, novels) of Mykhailo Yatskiv, his style of writing, connected with psychologization, whimsy and modernity of his author's ideological and aesthetic consciousness. At the same time, analyzing the literary heritage of the novelist, he uses the following <strong>research methods</strong>: biographical, hermeneutic, philological, and comparative-typological. Such a methodological synthesis contributes to the disclosure of the epic thinking of the writer, in particular its modernist component. The scientific novelty of this study lies in the fact that it collects and organizes little-known (or unknown) and modern scientific works about the herritage of Mykhailo Yatskiv, and an attempt to analyze the writer's stories and novels using new methodological approaches is used. The practical significance of the publication is realized already in its title: the work of Mykhailo Yatskiv can be used at any time in educational institutions (at Ukrainian literature classes, in special courses and seminars in higher education), in works about the heritage of Mykhailo Yatskiv. </em></p>Vasyl Babii
Copyright (c) 2024 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word
2023-11-072023-11-0718(69)31131710.31471/2304-7402-2023-18(69)-311-317POET. THINKER. CITIZEN (to the 80th anniversary of the birth of Stepan Pushyk)
https://pvntsh.nung.edu.ua/index.php/word/article/view/1931
<p><em>The article provides an overview of the life and work of the outstanding writer, folklorist and researcher "Slovo o polku Ihorevim ...". During his difficult, but fulfilling and stormy life, he helped many people a lot, if not with advice, then with personal intervention in unfavorable circumstances, with a kind word, with moral support.</em></p> <p><em>Stepan Hryhorovych Pushyk (1944 - 2018) is a significant figure in Ukrainian literature and literary studies. His creative and scientific </em><em>legacy</em><em> is a multifaceted and profound phenomenon. During his lifetime, Pushyk was considered a walking encyclopedia: he knew so much about various spheres of Ukrainian folk life and history that even </em><em>full</em><em> professors and </em><em>academicians</em><em> did not know (and apparently still don't know).</em></p> <p><em>The topic of Stepan Pushyk's PhD thesis, which was fully consistent with his doctoral dissertation, was "Slovo o polku Ihorevim..." and Slavic Mythology" (1991). However, scientific research did not end with this work. Pushyk's research "The Bloody Wedding on Kayal" (about the "dark" places in "Slovo o polku Ihorevim") can be considered a scientific discovery.</em></p> <p><em>The </em><em>intuition </em><em>of Stepan Hryhorovych </em><em>was also phenomenal, as his innate workaholism </em><em>was</em><em>, because even a few hours before his death he was still working on an article for the magazine "Dzvin", and the poet's last poem ("Parashka") </em><em>was</em><em> dated August 1, 2018.</em></p> <p><em> As a writer, Stepan Pushyk is a unique personality. The peculiar "folklore" method of narrative, initiated by Pushyk in his novel The Galician Gate and The Guardian Mountain, found many followers: it was picked up by V. Skurativsky and F. Zubanych. The novel from the mouths of the people itself turned out to be an innovative genre. His books of short stories and novellas "The Potion Key" and "Darabs Sail into Legend" were published in foreign languages. In general, Stepan Pushyk's works have been translated into Chinese, Romanian, Moldovan, Belarusian, Lithuanian, Kyrgyz, Bashkir, Slovak, Nepalese, and Russian. Stepan Pushyk was awarded the Taras Shevchenko State (now </em><em>it is </em><em>the National) Prize in Literature </em><em>f</em><em>or "Strazh-Hora" and "Galician Gate". Stepan Pushyk published the collections “The Little Starling” and “The Golden Boat” </em><em>f</em><em>or children. </em></p>Olga Slonovska
Copyright (c) 2024 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word
2023-11-072023-11-0718(69)31833510.31471/2304-7402-2023-18(69)-318-335PATRIARCH JOSEPH SLIPY AND DIASPOROUS EMPLOYEES OF THE SHEVCHENKO SCIENTIFIC SOCIETY
https://pvntsh.nung.edu.ua/index.php/word/article/view/1904
Irena Ivankovych
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2023-11-072023-11-0718(69)113310.31471/2304-7402-2023-18(69)-11-33НОВІ ПЕРСПЕКТИВИ ФРАНКОЗНАВЧИХ ДОСЛІДЖЕНЬ
https://pvntsh.nung.edu.ua/index.php/word/article/view/1939
Roman Pikhmanets
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2023-11-072023-11-0718(69)394398У ПОШУКАХ АВТОРСЬКОГО ГОЛОСУ ЛЕСІ УКРАЇНКИ
https://pvntsh.nung.edu.ua/index.php/word/article/view/1940
Oleksandra Visych
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2023-11-072023-11-0718(69)399402ВІДКРИВАННЯ МИНУЛОГО В ІСТОРИЧНІЙ ПРОЗІ УКРАЇНСЬКОЇ ДІАСПОРИ
https://pvntsh.nung.edu.ua/index.php/word/article/view/1941
Ivan Monolatii
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2023-11-072023-11-0718(69)403408НЕПІЗНАНІ ПІЗНАНІ СВІТИ
https://pvntsh.nung.edu.ua/index.php/word/article/view/1942
Marta Melnyk
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2023-11-072023-11-0718(69)409412КНИГА ПРО ЗЛОЧИН БЕЗ ПОКАРАННЯ
https://pvntsh.nung.edu.ua/index.php/word/article/view/1943
Mykola Dupliak
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2023-11-072023-11-0718(69)413420СУГОЛОСНІСТЬ ДОСВІДУ ВІЙНИ
https://pvntsh.nung.edu.ua/index.php/word/article/view/1944
Solomia Khorob
Copyright (c) 2024 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word
2023-11-072023-11-0718(69)421425ICONIC-CONVENTIONAL SYNCRETISM AND RITUAL-MAGICAL SEMIOSIS
https://pvntsh.nung.edu.ua/index.php/word/article/view/1914
<p><strong><em>Aim.</em></strong><em> The paper deals with the features of ritual-magical semiosis, structural and iconic-conventional consistency of ritual-magical formulas. The focus is on the functionality of visual analogies in interpretive strategies, and their semiotic imitation scenarios are studied. The ritual-magical expository constants are interpreted as complexes that mirror the system of structural and semiotic iconic-conventional connections and transitions of visual and verbal experience. Ritual and magical performances are interpreted as “emblematic staging” because they reproduce traditional, “edited” by time and experience conservative rites that have a fixed connotation and structure. <strong>Methods.</strong> The study relies on a system of genetic, hermeneutic, structural and semiotic methods. The author draws on the scientific methodology of semiotics and hermeneutics, and uses the methodology of literary cognitive science. This is due to the specific nature of the study, its subject of inquiry. <strong>Results.</strong> The magical and ritual complex is interpreted as the first creative comprehension of reality by a person on the basis of arbitrary associations and fantasy analogies. It marks the coordinates of the original epistemological focuses, primarily the organised interpretive practice. The visualisation and imitation of certain processes, artificial object and verbal compilation, and the combination of images and words into a single expressive complex constitute its structural integrity. It exhibit traces of emblematic comprehension and representation of ancient thought experience, where the dominant role is fulfilled by psycho-emotional observations of natural phenomena, their reduction into a special form, system of actions and speech. Sacrifices, totemism, animism, initiations, and various magical practices established the accessibility of visual-verbal syncretism for both awareness and expression. This was the format that was feasible for a common meaning making convention agreeable through “naturalistic emblematism”. </em></p>Oleksandr Soletskyi
Copyright (c) 2024 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word
2023-11-072023-11-0718(69)14315210.31471/2304-7402-2023-18(69)-143-152THE STRUCTURAL AND STYLISTIC FUNCTION OF THE REMARK IN THE SHORT STORIES OF VASYL STEFANYK
https://pvntsh.nung.edu.ua/index.php/word/article/view/1915
<p><em>The article attempts to analyze and typologies the remark in prose by Vasyl Stefanyk, which is considered in the context of the trends of the tragedization of the epic that became dominant in the late 19<sup>th</sup> and early 20<sup>th</sup> centuries. <strong>The purpose</strong> of the study is to identify the author’s specificity of constructing a dramatic remark in the writer’s short stories, and to outline its function in dramatizing the narrative. In this light, the remark, as the territory of the author’s voice, turns out to be a structural and stylistic element of the prose text that contributes to the theatricalization of the narrative. As well it is also a means of psychological and emotional expression, an element of visualization of the main text, and contributes to its polyphony. The study proves that Stefanyk’s short fiction is a unique form of theatricality in which the remark has an important function. The author manifests himself in the text with the help of epic and lyricized remarks, which are presented in the works to varying degrees, contain emotional and psychological accents, record non-verbal communication, outline mise-en-scene, etc. The multifunctionality and typological diversity of the theatrical </em><em>remark in text by Vasyl Stefanyk are noted.</em><em> <strong>Novelty</strong>. The article characterizes the multifunctionality and typological diversity of the theatrical remark in the prose by Vasyl Stefanyk. The method of analysis used can be productive for further studying of the techniques of dramatization of prose texts.</em></p>oleksandra Visych
Copyright (c) 2024 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word
2023-11-072023-11-0718(69)15316110.31471/2304-7402-2023-18(69)-153-161THE PHILOSOPHICAL AND CULTURAL PARADIGM OF UKRAINIAN OCCIDENTALISM IN THE LITERARY DISCOURSE OF MUR
https://pvntsh.nung.edu.ua/index.php/word/article/view/1916
<p><strong><em>Formulation of the problem.</em></strong><em> The intensification of the study of the phenomenon of Occidentalism in the scientific academic space is primarily related to the political background - the creation of the state and nation of Ukraine in accordance with the European integration vector, especially in the era of social changes (revolutions, riots, wars) and "passionate outbursts". Occidentalism as a democratic</em><em>,</em><em> philosophical-cultural, axiological worldview paradigm, in addition, immanently fulfills the role of a kind of "pendulum" that shakes the imperial and totalitarian regimes. </em><em>However, the "problem of the West" in the context of geopolitical and geocultural orientation has an interdisciplinary nature, which V. Yaniv drew attention to in his well-known work "Psychological Foundations of Occidentalism", written in 1947-48 as "a boundary problem of general history, sociology, history and philosophy of culture, national psychology or philosophical anthropology, political theory, pedagogy, etc., and it even stands on the borderline of journalism" [2</em><em>2</em><em>, p.2].</em> <em>As we can see, the relevance of this problem is surprisingly acute even in the 21st century, especially when it comes to Ukrainian literature, in which Europeanism is considered as one of the methodological problems of national modernization and integration into the world cultural space in the direction of Western culture. </em><em>Actually, <strong>the purpose of the article</strong> is to analyze the literary discursive practice of Ukrainian Occidentalism in the domestic scientific dimension, in particular, the period of the MUR. The author elucidates the specifics of Occidentalism of this period, the main philosophical and aesthetic vectors of its development, related to the then emigration cultural continuum, society, politics, ideology, the consciousness of the "DI-PI planets" (U. Samchuk), etc.</em> <strong><em>Research methods:</em></strong><em> cultural-historical, comparative-historical, systemic, typological, biographical, historiosophical, anthropological approach. <strong>The scientific novelty</strong> of the article lies in the fact that the specifics of Ukrainian Occidentalism in the discourse of MUR, which, according to its philosophical and aesthetic principles, was a priori aimed at the development of the Ukrainian literature of the European genre with the preservation of national identity and self-identity became the subject of a separate study. The <strong>practical significance</strong> is that the main provisions and conclusions of the article can be used for analytical investigations of the European intentions of the Ukrainian intelligentsia, the spiritual national elite in the context of Western European trends in domestic literature and culture, when studying the philosophy and poetics of the literature of the Ukrainian diaspora of the 20th century, a conceptual approach to the study of Ukrainian Occidentalism in literary discourse, as well as for post-colonial studies.</em></p>Nataliya Kurinna
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2023-11-072023-11-0718(69)16217210.31471/2304-7402-2023-18(69)-162-172THE CHILD’S WORLD IN CHORNOBYL STORIES FOR CHILDREN BY YEVHEN HUTSALO
https://pvntsh.nung.edu.ua/index.php/word/article/view/1919
<p><em>In the article, the stories of Yevhen Hutsalo from the collection "Children of Chornobyl" are analyzed, and the peculiarities of portraying the world of a child after the Chornobyl disaster are highlighted. The thematic scope of these works is outlined, which shows the consequences of this tragedy through the forced and irreversible changes that the characters experience and live through. Among them are the loss of their homes, friends, and parents. The following groups of characters are distinguished: those who have lost their world (Palma, Kalyna, Mykolka, Katrya), those who help these heroes (Hrytsko, Liubomyr), and those who are indirectly affected by the Chornobyl disaster (Savka-Savka, Olena, Mariana, Hanna Mykhailivna). It is noted that the past, lost world of the characters is practically unspoken and is mentioned episodically by one or two lines of dialogue from the characters, while the present world is a narrative of losses and loneliness. It is a world without loved ones, who are taken away either by death or forced searches for work. For the youngest characters, it is fragile and fleeting (Kalyna's illness, preparation for Katrya's death, Savka-Savka's death). The conclusions are drawn that the world of the young hero in these works is a world after loss, in which their future is unclear and uncertain. For adult characters, it is a world of fear due to a lack of understanding of possible consequences of environmental disasters. The only salvation and interlude between anxieties and fears is nature, in harmony with which the characters are filled with adventures, quiet joy, and peace. The following works are analyzed: "Mad Chornobyl Dog," "Chornobyl Girl Kalyna," "Crying in the Dark Night," "Rudnya," "Zozulya," "Child of Strontium," and “Christmas Story”.</em></p>Olga DerkachovaAlla Boichuk
Copyright (c) 2024 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word
2023-11-072023-11-0718(69)17318110.31471/2304-7402-2023-18(69)-173-181"THE DAY IS GIVEN" - FOR LIGHT, FOR "PHILOSOPHY OF THE HEART", FOR THINKING (based on the collection of poems "A roll on the bench" by Maria Vayno)
https://pvntsh.nung.edu.ua/index.php/word/article/view/1920
<p><em>The <strong>purpose of the article:</strong> to analyze in detail the third and to date the last book of poems "A roll on the bench" by Maria Vaino, </em><em>to show</em><em> the growth of </em><em>poetic</em><em> skill and its absolute dissimilarity in comparison with, </em><em>for example</em><em>, the first book</em><em>, where the central theme is the motif of betrayed love, the difference in imagery, multifaceted motifs and poetic style - with two previous collections ("Astringency", "Ariadna's Thread") and "Uzhhorod cycle". This determines the <strong>scientific novelty </strong>of understanding. <strong>Research methods:</strong> hermeneutic, receptive aesthetics, concrete-historical. The <strong>practical significance </strong>of the article is that its results can be used in understanding the Ukrainian poetic process of the late 1990s and early 20th century and, in particular, the creative work of Maria Vayno as a lyricist, poet when writing course, diploma, master's or other types of works.</em></p>Marta Khorob
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2023-11-072023-11-0718(69)18219310.31471/2304-7402-2023-18(69)-182-193RECONSTRUCTION OF GENRE FEATURES OF DRAMATIC WORKS OF THE UKRAINIAN DIASPORA OF THE FIRST HALF OF THE 20th
https://pvntsh.nung.edu.ua/index.php/word/article/view/1921
<p><strong><em>The purpose</em></strong><em> of the article is to study the Ukrainian dramaturgy of the diaspora at the "conflict-genre" level, which gives grounds to talk about the reasons for the diversity of its genre forms. <strong>The object</strong> of the study is the dramatic works of the Ukrainian diaspora of the first half of the 20th century.</em> <strong><em>The methodological basis</em></strong><em> of the research is cultural-historical and hermeneutic methods, as well as methods of philological and literary analysis. <strong>The scientific novelty</strong> of the article consists in a comprehensive and systematic study of the interrelationship of the system of genres and conflicts, the practice of their embodiment by diaspora playwrights, which allows to reproduce a real picture of the literary process outside of Ukraine, contributes to a deeper knowledge of both the content and the form of the works.</em> <em>Therefore, there is a need for a scientific analysis of the system of conflicts and genres of diaspora dramaturgy both in the structure of certain works and at the level of a general ideological and aesthetic phenomenon.</em></p> <p><em>The issue of combining the achievements of foreign literary studies with national traditions and the use of appropriate research techniques remains important due to the multifaceted, complex and originality of the literary heritage that is created on the borders of nations and states.</em> <em>The <strong>practical significance</strong> of the research lies in the possibility of using the results by scientists in Ukraine and abroad.</em></p>Oksana Semak
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2023-11-072023-11-0718(69)19420110.31471/2304-7402-2023-18(69)-194-201Images-characters of Fedir Dudko’s collection of short stories "Girls of Desperate Days"
https://pvntsh.nung.edu.ua/index.php/word/article/view/1922
<p><em>The proposed article analyzes the specifics of the creation of character images in the collection "Girls of Desperate Days" by Fedir Dudko, the determinism of the behavioral model of the character world by the idea of patriotism, which permeates the ideological-thematic and artistic-figurative levels of the collection, as well as the genre specifics of the novel, in which the image-character is revealed at the moment of the highest tension.</em></p> <p><em>The research methodology is outlined by using hermeneutic and interpretive methods, elements of the structural approach and the biographical method.</em> <em>The results of the study prove that the idea of national identity, patriotism determines the specificity of the grouping of images-characters of the collection, the originality of central images-characters creation, inspired by passionate energy. As befits the novelistic genre works, these images are revealed unexpectedly, at the moment of danger. If the heroine image is not central, it is modeled to a large extent by the internal state nuance. It can be stated that biographical synergism plays a significant role in the creation of the "psychological background", mood of the novel.</em></p>Olga Khomyshyn
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2023-11-072023-11-0718(69)20221210.31471/2304-7402-2023-18(69)-202-212FEATURES OF IMPLEMENTATION OF PRAGMATIC COMPONENTS OF MEANING IN DIALECT DISCOURSE
https://pvntsh.nung.edu.ua/index.php/word/article/view/1902
<p><em>This article delves into the semantics of linguistic units that play a significant role in expressing pragmatic components of meaning in the Hutsul dialectal discourse. Primarily, attention is drawn to intra-formal lexemes - words with a distinct internal form, as they serve as carriers of evaluative and associative-imagistic meanings in dialectal texts, contributing to the formation of semantic multi-layering within the text.</em></p> <p><em>Included in addresser-addressee relations, these units are instrumental in expressing illocutionary forces of the speaker and achieving perlocutionary effects. The article, in particular, explores the semantics of the intra-formal lexeme "</em><em>LUTAVIÉK</em><em>" (a type of traditional Hutsul footwear) and demonstrates its correlation with the cognate word-formational nest as a means of expressing the corresponding concept. This is because the internal form of a word represents a conceptual feature inherent in the word, which carries not only conceptual content but also various types of associations and images, all of which are significant within the text as a communicative-pragmatic whole.</em></p> <p><em>It is proven that the mentioned word, like any other with a pronounced internal form, can function as an exponent of various types of pragmatic components of meaning within dialectal discourse, thus facilitating the actualization of the intentions of communicants during their speech interaction.</em></p> <p><em>The character of semantics of such linguistic units as "</em><em>AHA YIO</em><em>" and "</em><em>ALLÉ</em><em>" is also explored, revealing their functional load in various fragments of spoken discourse. Particular emphasis is placed on their ability to enhance the communicative-pragmatic orientation of expressions in which they are used.</em></p>Mariya Holyanych
Copyright (c) 2024 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word
2023-11-072023-11-0718(69)344410.31471/2304-7402-2023-18(69)-34-44HUTSULS COSMOHONICAL LEGEND: ETHNO-LINGUAL DIMENSION
https://pvntsh.nung.edu.ua/index.php/word/article/view/1903
<p><strong><em>Aim.</em></strong><em> The article is devoted to the study of the ethno-lingual consciousness of the Hutsul ethnic group of Ukrainian Carpathians. The material of the article is the cosmogonical legend "The Sun and the Moon, the Stars", recorded by Petro Shekeryk-Donykiv and included in his book "The Year in the Customs and Beliefs of the Hutsuls", which reflects a view of the creation of celestial bodies. The object of analysis in the proposed work is the components of the lingual consciousness of the personality represented in the text of the legend, which in unity determine its mental-worldview and spiritual-value postulates: mythological units, symbols, concepts, memes. The purpose of the article is to establish the peculiarities of the sphere of the sacred in the Hutsul ethno-lingual spiritual space, which reflected by lingual and cultural units, </em></p> <p><strong><em>Methods.</em></strong><em> The key research method is descriptive. At the same time, a comparative-typological analysis of the structural-semantic and axiological aspects of the analyzed units was used. The comparative method made it possible to focus attention on general and specific features of ethno-lingual units. Contextual analysis made it possible to establish key ethno-lingual units, to determine their place and role in the integral cosmogonical picture of the Hutsul world.</em></p> <p><strong><em>Results. </em></strong><em>The study made it possible to identify mythological units, symbols, concepts and memes that form the whole framework of the legend and determine worldview landmarks in the interpretation of the cosmogonical history of the world. It has been established that the creation and existence of heavenly bodies (the moon and stars) is a sacred act, deeply and organically connected with man, his nature and peculiarities of being. The dichotomy of the world, whose life is determined together by God and Aridnyk, is reflected in the nominal mythological units, as well as symbols and concepts. Man is the reflection and embodiment of this dichotomy and determines the state and being of the heavenly bodies. The anthropocentrism of the Hutsul worldview goes beyond the place of its existence - the earth, and it itself is woven into the history and existence of the universe.</em></p> <p><strong><em>Originality.</em></strong> <em>A holistic analysis of ethnolinguistic units in the text of the Hutsul cosmogonical legend "Sun and Moon, Stars" was carried out. The author's conception of the lingual consciousness structure of the lingual personality is used to analyze and describe the mental, worldview and spiritual spheres in the ethno-lingual picture of the world.</em></p> <p><strong><em>Practical significance.</em></strong> <em>The research material is a source of ethnolinguistic knowledge and it can be used for a comprehensive study of the Hutsul ethnolinguistic phenomenon, in cognitive linguistics, psycholinguistic studies of the ethnos, for describing the sphere of the sacred, and also as material for a lexicographic study of the Hutsul language.</em></p>Volodymyr Barchuk
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2023-11-072023-11-0718(69)455410.31471/2304-7402-2023-18(69)-45-54LINGUALIZATION OF THE IMAGE OF THE WIFE IN THE WORKS OF VASYL STEFANIK
https://pvntsh.nung.edu.ua/index.php/word/article/view/1905
<p><em>The article characterizes the category of femininity as a fragment of the study of the linguistic picture of the world and the conceptual picture of the world, which have become key concepts of modern cognitive linguistics. The object of the research is the common names of female persons, which express the status of the wife in the Ukrainian language and reflect many ancient and current processes of linguisticization of the image of the wife.</em></p> <p><em>The work of the Ukrainian writer Vasyl Stefanyk is taken as a source - a representative of the Western Ukrainian variant of the literary language and the Pokut dialect of the southwestern dialect, where archaic and modern linguistic means are largely localized and diversified, and in particular those related to the expression of the image of a wife. In the lexical dimension, this is a certain number of semantic units that have been established since ancient times in the Ukrainian language and have been preserved mainly in dialect speech</em><em>. </em><em>But their reproduction makes it possible to understand the picture of the formation of nobility and ideas in the Ukrainian conceptual picture of the world of the image of a woman in relation to her husband, as well as to learn the means and methods of its embodiment in the Ukrainian linguistic picture of the world.</em></p>Maria Brus
Copyright (c) 2024 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word
2023-11-072023-11-0718(69)556210.31471/2304-7402-2023-18(69)-55-62NOMINATIVE FIELD OF THE CONCEPT HAPPINESS IN LATIN
https://pvntsh.nung.edu.ua/index.php/word/article/view/1907
<p>The article is dedicated to the analysis of nominative field of the linguo-cultural concept <em>Happiness</em> in the Latin language. A corpus of its verbalizers which includes a variety of linguistic means, namely direct nominations of the concept <em>felicitas, beatitudo, beatitia, fortuna</em> which are marked by high frequency of usage, the greatest generalization in terms of their semantics in direct meaning, are stylistically neutral and form the core of the nominative field has been formed. This corpus also includes synonyms <em>fors, commoditas, prosperitas, res secundae, res prosperae</em>; common root words (units of different parts of speech) derivationally related to the main lexical means of verbalizing the concept (adjectives <em>felix, beatus, beatificus, fortunatus, faustus, secundus, prosper, prosperus</em>; verbs <em>beare, fortunare, prosperare</em>; adverbs <em>feliciter, beate, fortunatim, fortunate</em>).</p> <p>For the purposes of the study representative information of explanatory, etymological, bilingual translated and synonym lexicographic sources of the Latin language was used. Their dictionary definitions do not only verbalize the knowledge of antique people, but also help to shape a complete linguistic picture of the world of the ancient Romans.</p> <p>Traditionally for the methods of linguo-cultural research for the interpretation of the Latin lexemes-verbalizers of the concept <em>Happiness</em> a number of micro-contexts and paremic illustrations that clearly testify their semantic content which often goes beyond dictionary definitions, involves the components of moral-ethical and mental backgrounds since language does not only reflect reality but also interprets it was given.</p>Uliana Pankiv
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2023-11-072023-11-0718(69)637110.31471/2304-7402-2023-18(69)-63-71PARTICLES AS A MEANS OF EXPLICATING THE SEMANTIC AND PRAGMATIC MEANING OF EXCLUSIVITY IN THE LITERARY TEXT OF MARIA TKACHIVSKA
https://pvntsh.nung.edu.ua/index.php/word/article/view/1906
<p><em>The article presents the results of the analysis of semantic and pragmatic characteristics of particles that realize the general communicative meaning of exclusivity. The material of the study is the fictional text of the novels by the contemporary Ukrainian writer Maria Tkachivska «Hold on to the Air» and «Me and My Don Juan», with the main focus on the discourse-centered potential of the particle «even» (navitˊ).</em></p> <p><em>The relevance of the problem is due to the need to clarify all the semantic, pragmatic and syntactic features of the particles «even» (navitˊ), «only» (lyshe), «only» (tilˊky), «as much as» (azh) etc., which are quite frequent in modern literary texts and help the speaker to highlight a particular component of the statement in accordance with the communicative purpose. </em></p> <p><em>It has been found that one of the most frequently used particles in the analyzed literary text, which realizes the function of distinguishing something into a class, revealing the maximum or ultimate limit of something that is usually opposed to a certain norm, is the particle «even» (navitˊ). The main communicative meaning is often accompanied by various axiological components. The use of this particle indicates the unexpectedness or surprise of the course of events for the speaker. This is due to the inconsistency of what is covered by the particle «even» (navitˊ) with the speaker's acceptable norms, habits, stereotypes etc. At the same time, the analyzed particle can be used in a sentence as a means of creating a comic effect. The scope of the lexical particle «even» (navitˊ) includes subjects, objects, predicates, temporal, local and other distributors. </em></p> <p><em>The main communicative meanings of the particles «only» (lyshe), «only» (tilˊky), and «as much as» (azh) are traced. By singling out something exceptional among the potential components of a certain group of objects, features or states, the particle «only» (lyshe) states exclusivity, while the lexeme «even» (navitˊ) interprets it. The general semantic and pragmatic meaning of the exclusivity of the particle «only» (tilˊky) is the speaker's allocation of a certain component in the message to a minimum or maximum class, which is opposed to other classes. Such emphasis is also associated with the author's commentary. The particle «as much as» (azh), expressing the semantics of exclusivity, at the same time explicates pragmatic shades of surprise, unexpectedness, and boundary. All particles, expressing separate facets of communicative meaning, can enter into synonymous relations. </em></p>Iryna DzhochkaMaria Humeniv
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2023-11-072023-11-0718(69)728110.31471/2304-7402-2023-18(69)-72-81Features of Chinese realities, linguistic clichés, phraseological units and proper names in fiction translations
https://pvntsh.nung.edu.ua/index.php/word/article/view/1909
<p>The translation of Chinese phraseological units, proper names, realities and linguistic clichés have always been the focus of attention of Sinologists, teachers, lecturers and translators of the Chinese language. The main task of this study is to determine, highlight and characterize the peculiarities of translation transformations of phraseological units, proper names, realities and linguistic clichés from Chinese to Ukrainian in literary texts. The combination of translation and didactic directions, aimed at in-depth study and substantive application of translated materials in teaching and further scientific activities, will make it possible to bring innovation to the methodology of teaching Chinese in Ukrainian schools and universities and will form a solid foundation for the further development of Ukrainian-Chinese cooperation in humanitarian and cultural spheres.</p>Iryna Iliychuk
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2023-11-072023-11-0718(69)829010.31471/2304-7402-2023-18(69)-82-90TYPOLOGY OF LINGUISTIC MEANS OF EXPRESSING AGGRESSION (BASED ON MEDIA EXAMPLES)
https://pvntsh.nung.edu.ua/index.php/word/article/view/1908
<p><strong>The purpose</strong> of the article is to determine the typology of linguistic means of expressing aggression that we can see on TV screens, and to analyze all forms of this emotion through specific media examples. Our <strong>task</strong> is to determine which linguistic tools manifest a person's negative moods and how body language reveals that the speaker feels aggressive arousal. <strong>The subject</strong> of the investigation is the characterization of linguistic aggression in modern television broadcasts. <strong>The object</strong> is verbal and non-verbal means of expressing aggression, and the content that the media convey to the masses. <strong>Research methods</strong> used in the article include observation – for detecting specific instances of aggression in news broadcasts and shows; descriptive – to explain characteristic features of linguistic constructions; and analysis and synthesis, which structured the acquired material. <strong>The relevance</strong> of the article is in the importance of studying conflictual behavior in society, through the lens of experience gained from the media, paving the way for a better understanding of the assimilation of manners and harmonizing future societal relations. The obtained <strong>results</strong> contribute to expanding perceptions about the nature of human aggression and means of its realization in speech, communication, and interactions of news broadcast and TV show characters.</p>Yuliia Pereima
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2023-11-072023-11-0718(69)919710.31471/2304-7402-2023-18(69)-91-97 Folklore and mythological foundations of Marko Cheremshyna’s artistic thinking
https://pvntsh.nung.edu.ua/index.php/word/article/view/1912
<p><em>In the proposed scientific article the genesis of Marko Cheremshyna's artistic</em></p> <p><em>thinking and especially the effect and manifestations of his folklore and mythological principles on his literary texts poetic levels have been researched. Taking into consideration the writer's worldview peculiarities, the novels of the cycle "The Village During the War", "Parasochka", "Grushka", "Let them go!", "Swear off to drink copper vodka..." have been analysed.</em></p> <p><em> The research methodology involved the use of historical – cultural and systemic methods, mythopoetic and techniques of receptive aesthetics and elements of the theory of intertextuality.</em></p> <p><em> The study of Marko Cheremshyna's short stories from the chosen</em></p> <p><em>angle of view showed the rootedness of his artistic thinking into the deep layers of the folk worldview and the folklore imagery that reach the archetypal basis. The lyrical dominance of the writer's prose and its stylistic component in particular also emerged from the folklore and from skillful transformations of rhythm, poetic syntax of folk songs, lamentations, carols and the parallelism of their construction. The original Hutsul folklore with its relict beliefs elements, ciphers, symbols, ornamental decorations and transubstantiation of all manifestations and forms of life and lexical richness served as a model of Marko Cheremshyna’s artistic worldview, which organically combined components of realism, impressionism and non-romanticism.</em></p> <p><em> In Cheremshyna's object-subject model of the world, the invincible spirit of life, which corresponds to moral and ethical principles and folklore ideas about the Hutsuls' worldview takes a prominent place.</em></p>Natalia Maftyn
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2023-11-072023-11-0718(69)11612510.31471/2304-7402-2023-18(69)-116-125PROSE OF MARKA CHEREMSHYN: LITERARY CLASSIC IN A METAMODERN PRISM
https://pvntsh.nung.edu.ua/index.php/word/article/view/1913
<p><em>Marko Cheremshyna's literary work was a vivid and original response to the demands of the historical and cultural discourse of his time. Modern literary criticism from the perspective of the post-apocalyptic interval cognizes the essence of the author's style and inscribes it in the coordinates of each reader's current experience of his or her own place in the historical and cultural chronotope. M. Cheremshyna's prose provides rich material for cognizing its cognitive and narrative originality, for understanding the writer's artistic style. Such a methodological perspective is all the more convincing because it opens up space for comprehending the "structure of feeling" (R. Williams) as one of the basic concepts of the modern metamodern paradigm. While for researchers of the Ukrainian writer's style, his modernist content and the corresponding text design did not raise any objections or doubts, for a contemporary reader of the next century, it is quite logical to turn the "polaroid lens" towards the metamodern projections of M. Cheremshyna's prose, especially in the perception/understanding/interpretation of a literary text. Similar to the modernist search for a holistic reflection of the world and its most subjective experience, the current era seeks to get rid of chaos and despondency, requiring clarity, intelligibility, mimetic display, harmony of perception, and integrity of meaning. The small prose of the Ukrainian modernist artist opens the way to comprehending the depths of the national worldview, marks the current space of human existence in the time of the Great Liberation War. </em></p>Lidia Matsevko-Bekerska
Copyright (c) 2024 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word
2023-11-072023-11-0718(69)12614210.31471/2304-7402-2023-18(69)-126-142P. КULISH AND EUROPEAN LITERATURE: CRITICAL RECEPTION OF THE INTERWAR DECADES
https://pvntsh.nung.edu.ua/index.php/word/article/view/1924
<p><strong><em>Aim.</em></strong><em> The article is devoted to the analysis of P. Kulish’s research discourse of the first decades of the twentieth century. Its aim is to comprehend the literary-critical studies of the interwar period, focusing on the peculiarities of Kulish’s interpretation of European artistic experience. <strong>Methods.</strong> The theoretical and methodological basis of the paper is the receptive-communicative approach, which made it possible to consider the critical reception of P. Kulish's work as a communicative process between the author and addressees, whose individual consciousness was formed in certain socio-political and cultural-historical environments. <strong>Results.</strong> In the course of the study, it has been proven that the question of P. Kulish’s Europeism was at the centre of intellectual discussions of the day concerning the ways of Ukrainian literature further development. Having become the key point in the choice between the past and the future, traditional and innovative, its own and others, it directly affected the authenticity of the national life of the Ukrainians. In the studies of M. Zerov, M. Mohylianskyi, B. Neiman, V. Petrov, P. Fylypovych, M. Khvylovyi, and others, the foundations were laid for a critical comprehension of Kulish’s heritage, who appealed for thoughtful mastering of foreign-language cultural experience as an important component of national progress. The high professionalism demonstrated in the research laid the groundwork for modern Kulish studies, which exemplify a communicative polylogue open to further scientific search. <strong>Originality.</strong> The research summarises the factors that writers and critics turn to the figure of P. Kulish; the kinship of the ideological and artistic searches of the figures of the time with the cultural visions of the author of “Black Council” has been traced; and the place and role of the research in the spiritual and cultural progress of the age have been defined. <strong>Practical significance</strong>. The results of this article can be used in the course of studying P. Kulish's work in general, as well as in the aspect of communicative connections between Ukrainian and foreign literature.</em></p>Ivanna DevdiukTetiana Marchuk
Copyright (c) 2024 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word
2023-11-072023-11-0718(69)23324310.31471/2304-7402-2023-18(69)-233-243GENRE DIVERSITY OF READING THE CHARACTER-SKETCH OF MICHELANGELO: DRAMATIC (H. LONGFELLOW), ESSAYISTIC (R. ROLLAND), POETIC (E. VERHAEREN)
https://pvntsh.nung.edu.ua/index.php/word/article/view/1925
<p><em>The article examines individual facts of the multi-genre reading of the character sketch of the famous Renaissance artist, sculptor and poet Michelangelo Buonarroti (1475-1564) by the classics of three national literatures, viz. H. Longfellow, R. Rolland, E. Verhaeren. The article a i m s at highlighting a majestic reading and scholarly interpretation of the great artistic and civil feat of the Renaissance Giant by focusing on the fundamental issues of his creative life.</em></p> <p><strong><em>Research methods</em></strong><em>. The paper employs a systemic approach by applying literary-historical, genetic and comparative methods. On the strength of these methods, the history of an interest in Michelangelo’s works has been clarified by an interpreted dramaturgic, essayistic and poetic readings in three national literatures. </em></p> <p><strong><em>Results</em></strong><em>. The research presents facts of interpreting more prominent episodes of the Italian sculptor’s sacrificial labour, the episodes not having hitherto been resorted to a scholarly interpretation in Ukrainian Literary Studies. Some individual scenes, interpretations of major political events connected with Michelangelo’s life are talked about in the paper as well. </em></p> <p><strong><em>Scholarly novelty.</em></strong><em> The article is an interesting page presenting the entry of the Italian artist’s works into Ukrainian Comparative Studies. Valuable is the presentation of eloquent facts of getting interested in Michelangelo’s charismatic activity through its multi-genre reading by American, French and Francophone Belgian literatures. </em></p> <p><strong><em>Practical value.</em></strong><em> The article may provide a basis for a more profound comprehension of the heritage of the outstanding classics of three national literatures, particularly the elements producing the authors’ stylistic dominants. </em></p>Yarema Kravets’
Copyright (c) 2024 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word
2023-11-072023-11-0718(69)24425210.31471/2304-7402-2023-18(69)-244-252Emancipatory Discourse in the Literary and Critical Works by Eliza Orzeszkowa and Nataliia Kobrynska
https://pvntsh.nung.edu.ua/index.php/word/article/view/1926
<p><strong><em>Aim.</em></strong><em> The article is devoted to the study of world-view and axiological vectors in the emancipatory discourse of E. Ozheshko and N. Kobrynska. The article deals with the analysis of common approaches to the presentation of emancipatory ideas in the literary and critical works by E. Orzeszkowa and N. Kobrynska, in particular, with the comprehension of the women’s role in the family and society, their opportunities to study and work on a parity basis with men. Both writers called for the formation of a new social consciousness in order to overcome established patriarchal norms and customary stereotypes through education and enlightenment. The similarity of world-view and aesthetic views, artistic and semantic parallels in the authors’ works is due to the consonant life axiology and the declaration of sometimes too radical views. <strong>Methods.</strong> For the comparative analysis, a number of basic scientific methods were used, including historical and literary, typological and biographical approaches. <strong>Results.</strong> Through the comparative analysis, the following main issues through which the writers declared world-view, spiritual and moral changes were identified: the need for a thorough education, the education of erudite female intellectuals, the social and professional integration of women as active participants and reformers, rather than passive observers, the formation of a new social consciousness. <strong>Scientific novelty.</strong> An attempt is made to make a comparative analysis of the emancipatory discourse in the literary and critical works of women writers. The author’s vision of the special function of women in social, spiritual and intellectual contexts is outlined. </em></p>Iryna Spatar
Copyright (c) 2024 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word
2023-11-072023-11-0718(69)25326310.31471/2304-7402-2023-18(69)-253-263METHODS FOR COMPARISON OF FUTURISTIC MODELS (BASED ON THE POLISH FUTURISM)
https://pvntsh.nung.edu.ua/index.php/word/article/view/1927
<p><em>This article </em><em>deals with</em> <em>the</em><em> set of </em><em>methods</em><em> of comparative literature for conducting comparative studies between at least two national variants of futurism. </em><em>In t</em><em>h</em><em>e</em> <em>article</em> <em>is </em><em>propose</em><em>d</em><em> to use the term "futuristic model" for the tertium comparationis as a means of deciphering the content-intentional manifestations of manifestographic and poetic texts, as well as as a formative component of the futuristic worldview. The term "futuristic model" is new and introduced by us for the first time.</em></p> <p><em>The method</em><em>s</em><em> for comparing futuristic models can include, at least, the following methods: comparative-historical, genetic, contact</em><em>s</em><em>, typological, biographical, and </em><em>methods of </em><em>cultural-historical school.</em></p> <p><em>T</em><em>he methods listed above will make it possible to cover the entire spectrum of the development of national variants of futurism as widely as possible in order to compare them with each other (find common and distinctive features), and thus build a complete system of awareness of the existence of futurism in space and time.</em></p>Danylo Reha
Copyright (c) 2024 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word
2023-11-072023-11-0718(69)26427110.31471/2304-7402-2023-18(69)-264-271THE TRAGEDY OF WORLD WAR I IN MARK CHEREMSHYNA'S SHORT STORY «THE VILLAGE BENDS»
https://pvntsh.nung.edu.ua/index.php/word/article/view/1910
<p><em>The article is dedicated to the study of artistic representation of anti-war themes in Mark Cheremshyna's short story "The Village Bends". Features of Mark Cheremshyna's individual writing style are explored, along with his ability to harmoniously combine the genre potential of the short story with the poetic possibilities of various literary movements.</em></p> <p><em>The theoretical and methodological basis of the research are the works of scholars who studied the uniqueness of Mark Cheremshyna's individual writing style (I. Denysiuk, I. Stef'yuk), the genre potential of the short story (I. Denysiuk, M. Legky), and the poetic features of naturalism, expressionism, and impressionism (V. Matviyishyn, O. Chernenko, N. Shumylo). The research employs methods of hermeneutics (in interpreting the system of macro and micro images of the analyzed short story), cultural-historical approach (in clarifying the historical, social, ideological, moral-ethical context of the ideological-thematic content of the short story) and receptive aesthetics (in observing the suggestive influence of the work on the reader).</em></p> <p><em>The research results demonstrate Mark Cheremshyna's considerable artistic skill in objectively depicting the tragedy of World War I, and his ability to combine the traditions of national literature with innovative trends in the global literary process of the late 19th - early 20th centuries. The scientific novelty of the article lies in the attempt to, for the first time, through the lens of analyzing the micropoetics of one work by Mark Cheremshyna, reveal not only the secrets of the author's poetic craftsmanship in describing anti-war themes, but also to explore the problem of enhancing the expressive possibilities of the short story thanks to the synthesis of its genre-compositional features with poetic elements of naturalism, expressionism, and impressionism.</em></p>Roman Golod
Copyright (c) 2024 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word
2023-11-072023-11-0718(69)9810710.31471/2304-7402-2023-18(69)-98-107ANTI-MILITARY CONCEPTOSPHERE IN UKRAINIAN PROSE ABOUT THE EVENTS OF THE FIRST WORLD WAR
https://pvntsh.nung.edu.ua/index.php/word/article/view/1911
<p><strong>The</strong> <strong>purpose</strong> <strong>of</strong> <strong>the</strong> <strong>article</strong><strong>:</strong> to investigate the anti-military conceptual sphere in Ukrainian prose about the events of the First World War, identifying the dominant concepts in it. <strong>The subject </strong>of study is the concepts of "memory" and "war". <strong>The object </strong>of scientific understanding is the prose works of Osyp Turianskyi, Stepan Vasylchenko, Osyp Makovei, Marko Cheremshyna, Vasyl Stefanyk, Natalia Kobrynska, Olha Kobylianska, Timotei Bordulyak, Yura Shkrumelyak, Mykhailo Yatskiv, Mykola Matiiev-Melnyk, Oleksa Kobets, Mykhailo Lomatskyi and Volodymyr Lopushanskyi. Such a choice for the analysis of the works is arbitrary, partly due to the presence of their texts in the currently only anthology of such prose "...Because war is war..." and the expressiveness of their anti-military conceptual sphere. The scientific <strong>methodology </strong>consists in the fact that the article uses philological, hermeneutic and biographical methods, as well as methods of linguistic and literary analysis. The novelty of the study is already in its name, and its results are in the analysis of the dominant concepts that create the original anti-military conceptosphere with the hyperconcepts of "memory" and "war". It is proved that the concept of "memory" in the prose of Ukrainian authors is multifaceted (at the level of the individual, collective, autobiography, associative), and the concept of "war" appears in Ukrainian writing as an integral component of the general picture of the world and in the analyzed works outlines its specificity of ideological and aesthetic embodiment. The practical value of the article carries a specific direction: its results can be used in the study of the work of individual Ukrainian artists of the word, as well as in the historical-literary review of national writing.</p>Olha Tovt
Copyright (c) 2024 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word
2023-11-072023-11-0718(69)10811510.31471/2304-7402-2023-18(69)-108-115ПАМ'ЯТІ ПРОФЕСОРА ТАРАСА САЛИГИ
https://pvntsh.nung.edu.ua/index.php/word/article/view/1945
Iryna Rozdolska
Copyright (c) 2024 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word
2023-11-072023-11-0718(69)426428