http://pvntsh.nung.edu.ua/index.php/word/issue/feed PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word 2020-09-25T13:05:05+03:00 Василь Мойшишин math@nung.edu.ua Open Journal Systems <p>У випусках серії “Слово” публікуються наукові матеріали &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;за напрямками:</p> <p>- Мовознавство</p> <p>- Літературознавство</p> <p>- Фольклористика</p> <p>- Журналістика</p> <p>- Мистецтвознавство</p> http://pvntsh.nung.edu.ua/index.php/word/article/view/1460 ТАРАС ШЕВЧЕНКО: ПОГЛЯД З ТРЕТЬОГО ТИСЯЧОЛІТТЯ 2020-09-21T10:22:50+03:00 Степан Іванів kaf.lit@ukr.net <p>Є у світовій національно-духовній аурі імена, які назавжди збережуться в пам’яті багатьох поколінь – своїм існуванням, своєю життєвою долею, своєю творчістю і подвижницькою місією впродовж тривалого розвитку людства. До таких непроминущих особистостей належить, безумовно, Тарас Шевченко, 200-ліття з дня народження якого врочисто відзначається не лише українцями, а й багатьма народами землі. Така стійка й відчутна тривалість духовно-культурного життя, окресленого вічністю Кобзаря, щораз імпульсується кожною новою добою, кожною новою верствою українців, настійливо відшукуючи національного та морального опертя й натхнення, свого місця у життєвому вирі, свого обов'язку перед рідним народом і рідною вітцівщиною.</p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1478 TARAS SHEVCHENKO’S HISTORIC-SOPHIC CONCEPTS 2020-09-24T09:46:45+03:00 S. M. Kozak kaf.lit@ukr.net <p><em>The article highlights the problem of historic-sophic concepts of Taras Shevchenko’s creations. It is proved on the rich artistic material, particularly on the writer’s poems, that historic sophism is an inseparable constituent of the poet’s ideological-aesthetic conscience.</em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1479 RELIGIOUS WORLD OF TARAS SHEVCHENKO: CHRISTIAN SPIRITUALITY AND WORLDVIEW DOMINANT 2020-09-24T09:52:19+03:00 C. R. Kyyak kaf.lit@ukr.net L. Ya. Genyk kaf.lit@ukr.net <p><em>In this article the methods of comparative and retrospective analyzes outlook Taras Shevchenko, germenevtics and comparative approach in studies of his works and books of the Bible to understand that the world-famous Ukrainian poet had an orthodox Christian worldview, which was based on the biblical teaching; in relation to the commandments of God (the Decalogue) manifested his keen sense of justice that came from his mentality, but at the same time, the poet and the artist saw the world rulers of this departure from the Christian doctrine of the melee; so pay attention to the idea of </em><em>​</em><em>national liberation movements, not only among the Ukrainians, but also among the other peoples of Europe and Asia, and encouraged them in all ways; by ideological views Shevchenko features can be attributed to religious and sacred, as he retained the respect not only to the traditional Christian view of the world, but also acknowledged the existence of small spiritual world, which was inherent in pre-Christian beliefs of the Slavic peoples.</em></p> <p><em>Taras Shevchenko left a priceless legacy artificial: sketches, drawings, watercolors and sepia, etchings, paintings, which gave hundreds of religious subjects and various architectural structures, some of whom died in the twentieth century, and modern scholars have come only in its unmatched images.</em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1480 TRUTH AS SACRUM IN TARAS SHEVCHENKO’S CREATIONS 2020-09-24T09:56:12+03:00 H. M. Lytvyn kaf.lit@ukr.net <p><em>In the article it is said of Taras Shevchenko’s opinions about the faith, moral values and hard times of his exile and their influence onto the inner world of the poet. The thoughts of the author are illustrated by the excerpts from Kobzar’s poetry, citations from “Diary” and his</em> <em>letters.&nbsp;&nbsp; </em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1481 THE PUNISHING WORD OF LOVE (Shevchenko’s gospel core) 2020-09-24T09:59:37+03:00 Ye. M. Baran kaf.lit@ukr.net <p><em>The article expresses the idea of firmness of Taras Shevchenko’s personality in the spiritual life of Ukraine. On the occasion of the poet’s jubilee the emotional state of the soul is revealed.</em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1482 SHEVCHENKO AS LIBERTY 2020-09-24T10:02:41+03:00 S. V. Protsiuk kaf.lit@ukr.net <p><em>This essay-sketch reveals receptive essence of Taras Shevchenko’s image from the point of view eternity, namely from the perspective of the XXIst century.</em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1483 POET-POMANTICIST STRUGGLING AGAINST EVIL: TARAS SHEVCHENKO AND WRITERS 2020-09-24T10:07:07+03:00 K. Yakubovs’ka-Kravchyk kaf.lit@ukr.net <p><em>The article examines poetic works of Taras Shevchenko and Polish writers. Their creation is analysed from the point of view of romantic philosophy, according to which all kinds of art must serve first and foremost truth and under its influence inner life of both each person and of whole nations. </em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1484 TRUTH – GROUND FOR TARAS SHEVCHENKO’S CREATIVE WORK 2020-09-24T10:11:39+03:00 I. P. Makarovsky history@nung.edu.ua <p><em>The article deals with the concept of "truth" as the basis of creativity and activity Shevchenko, specifies its main features.</em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1485 IVAN FRANKO WHOM WE DO NOT KNOW… (OF KAMENIAR’S RELIGIOUS VIEWS) 2020-09-24T10:15:55+03:00 O. B. Smytsniuk kaf.lit@ukr.net <p><em>The article reads about I.Franko’s attitude to Christian religion; religious issues reflected in I.Franko’s poetry, prose and scientific works; relationships between Metropolitan A.Sheptytsky and I.Franko.</em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1486 TYPOLOGY OF PROSE OF MARKO VOVCHOK AND TONI MORRISON: PROBLEMATICS, CHARACTERS 2020-09-24T10:19:53+03:00 L. R. Iermak kaf.lit@ukr.net <p><em>In this article we survey social, psychological and gender problematics in the fiction of Marko Vovchok and Toni Morrison on the comparative level. We try to determine&nbsp; level of actualization of the author’s socio-psychological and gender believes of Marko Vovchok as shown in miscellany «Folk Stories», story «College Girl» and «Three fates». We analyze a problem of a tragic situation of a complete loss of personal and ethnic identity of Afro-American people as well as the problem of socialization of black women in the 20th-30th&nbsp; of&nbsp; XX th century, as shown in such works of Toni Morrison&nbsp; as "Beloved," "Song of Solomon" and "Sula".</em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1500 СУЧАСНА ТЕАТРАЛЬНА ШЕВЧЕНКІАНА (образ Кобзаря в опері “Шлях Тараса”) 2020-09-25T12:58:35+03:00 Г. В. Олексюк kaf.lit@ukr.net <p>До 200-літнього ювілею нашого геніального Кобзаря колектив Донецької «Донбас Опери» здійснив постановку музичної вистави «<strong>Шлях Тараса</strong>» композитора Олександра Рудянського. Без перебіль-шення, це стало визначною культурно-національного подією не тільки у гірничому краї, а й в усій Україні. Творці опери, зосібна диригент і режисер Тарас Микитка, залучили до неї не лише співаків місцевої опе-ри, а й студентів Донецької музичної академії ім. С. С. Прокоф’єва, уч-нів Донецької обласної спеціалізованої музичної школи. Автори лібрето Віталій Юрченко та Віталія Рева разом із Олександром Рудянським зуміли розкрити музично-словесну поліфонію твору «Шлях Тараса», який, до речі, чекав цієї миті майже два десятиліття. Безперечно, головне місце тут займає режисер-постановник і диригент опери, адже втілення сучасної опери (я маю на увазі за музичним матеріалом, а не за сюжетом) – це важке надзавдання, яке не кожному колективу під силу. І те, що постановники зреалізувати цю ідею на сцені Донецького театру, – це творчий подвиг. Геній Тараса Шевченка, безперечно, того вартий.</p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1501 УБОЛІВАЮЧИ ЗА ДОЛЮ РІДНОЇ МОВИ 2020-09-25T13:01:12+03:00 Г. Я. Василевич kaf.lit@ukr.net <p><strong><em>Микола &nbsp;Лесюк. Становлення і розвиток української літературної мови в Галичині. – Івано-Франківськ: Місто НВ, 2014. – 732&nbsp;с.</em></strong></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1502 ТІНІ МАЙБУТНЬОГО У ТРИВОЖНОМУ СВІТІ, АБО БЕТРИЗАЦІЯ СУСПІЛЬНОГО ТА ЛЮДСЬКОГО ДУХУ (огляд антиутопійних романів Юрія Щербака) 2020-09-25T13:03:46+03:00 С. С. Хороб kaf.lit@ukr.net <p>Написані впродовж останніх двох літ фантастичні романи сучасного українського прозаїка Юрія Щербака “Час смертохристів: Міражі 2077 року” (К.: Ярославів Вал, 2011) та “Час великої гри: фантоми 2079 року” (К.: Ярославів Вал, 2012) майже одразу зацікавили не лише фахових літераторів, а й широкі читацькі кола, надто ж тих любителів художнього чтива, що віддають свої симпатії нинішнім чи минулим творцям жанрів утопії, фентезі чи антиутопії.</p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1461 TARAS SHEVCHENKO AND MYKHAYLO DRAHOMANOV: AT THE CROSSROADS OF IDEOLOGIES 2020-09-21T12:27:25+03:00 R. V. Pikhmanets’ kaf.lit@ukr.net <p><em>The article traces formation of Shevchenko scientific studies in the second half of the XIXth century. Mykhaylo Drahomanov made the first steps in this direction. But due to personal-ideological superstitions and ideological prejudices his efforts were wasteful. As a result, there was created a special matrix of that approach, founded on political or class principles and cliches – with inevitable misinterpretations and insinuations.</em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1462 TARAS SHEVCHENKO IN THE LIGHT OF «NON FICTION» LITERATURE 2020-09-21T12:31:15+03:00 А. В. Ільків kaf.lit@ukr.net <p><em>The article examines the aesthetic constituent of T. Shevchenko’s epistles. Problems of national identity in the poet’s early letter through contradistinction of “my” and “other’s” worlds.</em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1463 TARAS SHEVCHENKO AND UKRAINIAN ARCHAEOLOGY 2020-09-21T12:36:07+03:00 І. М. Гоян kaf.lit@ukr.net І. М. Коваль kaf.lit@ukr.net <p><em>This publication raises an important problem of T. Shevchenko’s role in the development of Ukrainian archaeological science. On the broad archival and artistic material the authors of the article prove that Kobzar’s poetic and painting heritage often had impulsts from hopes of national history, our archaeological past. </em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1464 SOURCES OF FORMATION OF TARAS SHEVCHENKO’S CULT IN EASTERN HALYCHINA 2020-09-21T12:39:57+03:00 З. І. Нагачевська kaf.lit@ukr.net <p><em>The article studies sources of formation of Taras Shevchenko’s cult as a key personality in Eastern Halychyna, proves that the poet's name performed here not only the role of the artist words – enlightener, but also the waker of Ukrainians’ national feelings. </em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1465 TARAS SHEVCHENKO AND GALICIA (XIX - EARLY XX CENTURIES) 2020-09-21T12:46:26+03:00 І. Я. Райківський kaf.lit@ukr.net <p><em>The article highlights the influence of T.&nbsp;Shevchenko’s works on modern Ukrainian national identity formation in Galicia from the 1840s to the early XX century.&nbsp; A special focus is on the Russian Trinity’s first impression of the prominent Ukrainian writer and national ideologist,</em><em> as well as on T.&nbsp;Shevchenko’s interest in Galicia and the formation of the Shevchenko cult in the region. Additionally, the author comments on the availability of the first 1840 edition of “Kobzar” to Galician public figures. </em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1466 WOMEN WHOM KOBZAR WAS IN LOVE WITH: THE STORY OF LOVE 2020-09-21T12:49:41+03:00 Л. В. Данилюк kaf.lit@ukr.net <p><em>The article outlined Taras Shevchenko’s personal life – his love for women. These pages afford to supplement the poet’s biography, to have a new look at his creations. </em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1467 TARAS SHEVCHENKO’S VISUAL IMAGE: THE ANTHROPOLOGIST’S NOTES 2020-09-21T12:53:04+03:00 С. Т. Сегеда kaf.lit@ukr.net <p><em>The article examines anthropological peculiarities of Taras Shevchenko’s personality throughout all of his life. Using biographical moments from the poet’s creations, the author “depicts” Kobzar’s appearance and posture, which underwent changed due to social and physical factors. </em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1468 MONUMENTS TO SHEVCHENKO IN PRYKARPATTIA 2020-09-21T12:57:51+03:00 П. І. Арсенич kaf.lit@ukr.net <p><em>У статті на основі архівних та публікованих матеріалів і джерел висвітлюється історія спорудження пам’ятників Великому Кобзарю на Прикарпаттті.</em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1469 PROFOUND OF KOBZAR’S POETRY 2020-09-21T13:01:42+03:00 С. Г. Пушик kaf.lit@ukr.net <p><em>In the article the author highlights the poet’s mythological world, gives numerous parallels in his works, illustrates similarity of poetic meter of the written works and kolomyiky-cuckoos, remarks that the collection «Rusalka Dnistrovaya», which Taras Shevchenko read, expresses the thought that the mermaid, engraved by craftsman Danylo Ekoliuk on the beam of his own house in the village of Biloberezka over Cheremosh, is connected with the publication of «Rusalka Dnistrovaya» and Great Kobzar’s ancestor – Ivan Boyko was the prototype of the hero of the story «Varnak».</em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1470 VARIETY OF SOUNDS AND WORDS IN T. SHEVCHENKO’S CREATION 2020-09-21T13:05:56+03:00 І. В. Кононенко kaf.lit@ukr.net <p><em>The article inquires into the variety of sounds and words in Taras Shevchenko’s poetic works. The ground for such effective use in Shevchenko is amplification – repetitions of language units of different types, which enables to realise artistic-aesthetic and pragmatic aims in their fundamental unity.&nbsp; </em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1471 KOBZAR’S “COSMO-PSYCHE-LOGOS” 2020-09-21T13:10:05+03:00 Н. В. Мафтин kaf.lit@ukr.net <p><em>The article is devoted to studying the problem of T. Shevchenko’s artistic thinking in the structure of elements modelling the world’s national image. It goes about the connection of Shevchenko’s word with fundamental archetypes, with such features of psychological composition of the national character as antaeusism, kordocentrism, theocentrism, as well as such ethic categories as Truth, Freedom, Love.</em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1472 PERFORMATIVE DISCOURSE INERTIA OF «TESTAMENT» BY T. SHEVCHENKO 2020-09-24T09:16:25+03:00 С. М. Луцак kaf.lit@ukr.net <p><em>In the article T.&nbsp;Shevchenko’s «Testament» is considered as peculiar natiosophical «message in the act of writing», picked up and deployed by other authors (Ivan Franko, Lesya Ukrainka, Vasyl Stus), given the key intentions of the original text aimed at the efficient conversion of Ukrainian ethnicity into statelike nation.</em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1473 POETICS OF LEITMOTIF IMAGES IN TARAS SHEVCHENKO’S EARLY CREATIVE WORKS 2020-09-24T09:19:52+03:00 О. М. Пилип’юк kaf.lit@ukr.net <p><em>The article provides the analysis of text peculiarities of the orphan’s, fate’s, the sea’s image leitmotifs on the material of Shevchenko’s early poetry.</em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1474 THE ROLE OF SYMBOLS IN TARAS SHEVCHENKO’S TEXT STRUCTURE OF “ZHURNAL” 2020-09-24T09:23:24+03:00 А. В. Ільків kaf.lit@ukr.net <p><em>The article investigates the compositional role of symbols in T. Shevchenko’s diary. The symbolism of dreams is analyzed and their ingenuous connection with reality is revealed. Functions of dreams and their role in creation the plot of the diary are defined.</em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1475 «A CHURCH-COFFIN WILL FALL TO PIECES. AND UKRAINE WILL GET UP FROM UNDER IT» (A few strokes to the analysis of poem-mystery of T. Shevchenko the «Large cellar») 2020-09-24T09:28:25+03:00 O. V. Slonovsca kaf.lit@ukr.net <p><em>The article is dedicated to the poem «Velykyi Liokh» by Taras Shevchenko. Special attention is focused on archetypical images and images-symbols.</em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1476 ARTISTIC PECULIARITIES OF T. SHEVCHENKO’S SLAVERY ELEGY “KHIBA SAMOMU NAPUSAT…” 2020-09-24T09:39:12+03:00 N. М. Vivcharyk kaf.lit@ukr.net <p><em>Т. Shevchenko’s poem “Khiba samomu napusat…” is analyzed as slavery elegy where the feelings of the narrator and the author are assonant. This is indicated by facts accordant with the writer’s biography: edition of “Kobzar” in 1840, exile, loneliness. It is analyzed the symbolism of Cossack, steppe, grave which create historical reminiscences and are found through out T. Shevchenko’s works. The image-related problems are analyzed in the article too. </em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1477 STORY- AND CHARACTER-MAKING SIGNIFICANCE OF THE TIME-SPACE IN THE POEM «TARASOVA NICH» BY TARAS SHEVCHENKO 2020-09-24T09:42:54+03:00 A. S. Verlata kaf.lit@ukr.net <p><em>The article highlights</em> <em>timespace features of Taras Shevchenko's poem about the heroic</em> <em>Ukrainian past of the impact in terms of time-space, including art space, on the plot concept of the author. Proved essential consideration in the light of the poem most skillful use of copyright chronotypical category as this view of the artist's creative vision allows the imagination to compose a complete picture of a literary text .</em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1487 “HE WAS THE SON OF A RURAL MAN AND BECAME THE LORD IN THE KINGDOM OF SPIRIT”: TARAS SHEVCHENKO’S CREATIVE WORKS IN IVAN FRANKO’S LITERARY-CRITICAL RECEPTION 2020-09-24T10:31:01+03:00 R. B. Holod kaf.lit@ukr.net <p><em>In this article the hereditary connection between Taras Shevchenko and Ivan Franko creative work is studied in the Ukrainian literary tradition discourse. Through the prism of Franko’s literary and critical reception of T. Shevchenko’s creative work the causes of coincidences and differences in the idea and aesthetic conceptions of both authors are determined.</em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1488 CONCEPTIONS OF LITERARY CRITICISM OF YURIY BOIKO-BLOKHYN IN THE INVESTIGATION ABOUT TARAS SHEVCHENKO’S WORKS 2020-09-24T10:41:28+03:00 S. І. Khorob kaf.lit@ukr.net <p><em>The article has the investigation of the conceptions of literary criticism of the Ukrainian scientist from diaspora Yuriy Boiko-Blokhyn in his scientific works about the life and creation of Taras Shevchenko. The author made an effort to systematize them, extrapolating his outlook in present-day time.</em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1489 POKUTIANYN’S JUG (a window to Yarema Hoyan’s studio) 2020-09-25T11:06:22+03:00 V. A. Kachkan kaf.lit@ukr.net <p><em>The author of the article reveals peculiarities of the artistic world of the laureate of Taras Shevchenko National Award Yaremy Hoyana.</em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1490 «HE WHO STARTED EVERYTHING WITH WORD»: TARAS SHEVCHENKO IN SVIATOSLAV HORDYNSKY’S POETRY WORKS 2020-09-25T11:10:14+03:00 N. D. Mocherniuk kaf.lit@ukr.net <p><em>The manifold forms of Sviatoslav Hordynsky’s dialogue with the works of Taras Shevchenko have been traced. Much attention has been paid to the Shevchenko’s theme in literary studies and art criticism of Sviatoslav Hordynsky. The poetry works in which the author refreshes the image of Shevchenko and some of his works («Shevchenko over Caspian», «Three verses», «Kanev» and other). The poetry shevchenkiana of Sviatoslav Hordynsky is one of modes of author’s identity as a artist.</em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1491 PROFESSOR KOST’ KYSILEVS’KYI – THE RESEARCHER OF TARAS SHEVCHENKO’S LANGUAGE STYLE 2020-09-25T11:15:06+03:00 M. V. Bihusiak kaf.lit@ukr.net <p><em>The article analyses K. Kysilevs’kyi’s works devoted to the artistic language and scientific interpretation of Taras Shevchenko’s works, to the research of Shevchenko’s language style and spelling systems of the first three editions of “Kobzar’. The majority of the works were published in diaspora’s editions and were inaccessible for continental Ukraine.</em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1492 THE MANIFESTATION OF NATIONAL IDENTITY IN THE WORKS BY TARAS SHEVCHENKO AND ROBERT BURNS 2020-09-25T11:18:47+03:00 A. M. Martynets kaf.lit@ukr.net <p><em>This article analyzes the works of T. Shevchenko and R. Burns through the prism of their appeal to the historical past and finding there the support for the formation of&nbsp; the national consciousness of the authors.</em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1493 TARAS SHEVCHENKO IN VASYL STEFANYK’S PUBLICISM ("Read Shevchenko, and you will meet all expression, history and soul of the Ukrainian people there") 2020-09-25T11:22:53+03:00 V. M. Pakhomov kaf.lit@ukr.net <p><em>Vasyl Stefanyk’s discourse about the role of Taras Shevchenko in maintenance and formation of the Ukrainian people is considered in the article. The study is undertaken on the basis of Pokuttia short-story writer’s publicism.</em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1494 “HE RETURNED MEMORY TO UKRAINIANS”: ARTISTIC-PHILOSOPHICAL COMPREHENSION OF SHEVCHENKO AS THE NATION’S CODE IN TARAS TABACHYN’S WORK “NA ROZPUTTIAKH VELELIUDNYKH” 2020-09-25T11:26:53+03:00 L. T. Shevchuk kaf.lit@ukr.net <p><em>The article is devoted to the research of Shevchenko’s word as the unique code in T. Tabachyn’s poetic work, to the revelation of its problematic-stylistic peculiarity.</em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1495 CONTEMPORARY UKRAINIAN SINGING-POETIC CREATIVITY AND FOLKLORIC ELEMENTS OF SHEVCHENKO’S “KOBZAR” 2020-09-25T11:32:43+03:00 O. V. Karbashevs’ka kaf.lit@ukr.net <p><em>Taras Shevchenko’s poetic heritage is examined in the context of Revolution of dignity and “Euromaidan” songs of the end of 2013 – the beginning of 2014. Processes of consolidating Shevchenko as a dominating symbol of Ukrainian mass culture of the first decades of the XXIst century are traced. The attention is focused on folkloric roots of Shevchenko’s word as one of the premises of permanent incorporation of the poet’s legacy into the life of Ukrainian community.</em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1496 TARAS SHEVCHENKO IS IN FATE OF OLGA DUCHYMINSKA 2020-09-25T11:38:12+03:00 І. V. Kisіl kaf.lit@ukr.net V. M. Pakhomov kaf.lit@ukr.net <p><em>The influence of Taras Shevchenko on the works of author Olha Duchyminska is retraced in the article.</em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1497 T. SHEVCHENKO’S CREATIONS IN THE ART OF LITERARY COMPOSITION 2020-09-25T12:47:13+03:00 N. V. Kukuruza kaf.lit@ukr.net <p><em>The article reveals mastery of literary compositions which were created by experts of the theatrical art of Ukraine on the ground of Taras Shevchenko’s poetry and biography.</em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1498 TARAS SHEVCHENKO AND KAROL’ LIPINS’KYI: INTERNATIONAL ARTISTIC RELATIONS 2020-09-25T12:51:11+03:00 O. M. Bakhtalovs’ka kaf.lit@ukr.net <p><em>The article highlights Polish-Ukrainian cultural-artistic interrelations imprinted in the creations by poet Taras Shevchenko and composer Karol’ Lipins’kyi; reveals peculiar features of their mutual unity.</em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word http://pvntsh.nung.edu.ua/index.php/word/article/view/1499 THE TYPOLOGY OF NEO ROMANTIC IDEOLOGIC-AESTHETIC CONSCIOUSNESS IN LITERARY AND CRITICAL WRITINGS OF W. B. YEATS AND LESYA UKRAINKA 2020-09-25T12:55:25+03:00 O. M. Hedzyk kaf.lit@ukr.net <p><em>In this article it is realized an attempt of comparative analysis of literary-critical works of W.B.Yets and Lesia Uktainka on the issue of early modernism. It is assured the antimimetic character if its conceptions of symbolism and neo romanticism accordingly. It is analysed the attitude of both artists to the theory of "pure art." It is outlined the value of their dramatic activities for the development of modern (poetic) drama.</em></p> 2020-09-25T00:00:00+03:00 Copyright (c) 2020 PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word